Fans, in other words, have continually been taking it upon themselves to save Star Wars from itself.Īdding an atrociously bad Jabba the Hutt scene to A New Hope, throwing in an embarrassing new musical number in Return of the Jedi, and Greedo shooting first - these were Lucasfilm trolling us, softening us up for The Phantom Menace, Attack of the Clones, and Revenge of the Sith. Those forced fans to address the major narrative problems and visual effects tinkering that Lucas kept inflicting on movies everyone had already come to love. The seemingly superfluous additions to the sacred trilogy were kind of like a dry run for the CGI-centric prequels that followed a few years later. Fans have constantly tried to reinterpret and evaluate the Star Wars saga ever since its original mastermind, George Lucas, embarked on the Special Editions of the original trilogy in 1997. With a voracious fan base that walks a fine line between avowed loyalty and bitter hostility, it’s perhaps no surprise that it’s also one of the most popular sources of fan edits. The Rohirrim charge grows with the music and reaches a peak until their swords meet the armor of their adversaries.Star Wars is one of the most popular movie series of all time. As King Théoden gives a stirring speech to his men before the charge, the theme of the Rohan is slowly increasing, with more and more brass and percussion. And once again, Shore played a huge part in the success of this epic moment. The Battle of the Pelennor Fields is considered to be one of the best battle scenes in cinema history. Therefore, their power and danger is represented by an intense choir in a crescendo theme song. These latter, on the other hand, were ’’great Kings of men ’’ as explained by Aragorn. Indeed, as we mentioned before, the Uruk-hai have been ‘’manufactured’’ in Isengard, they are inferior to the Nazgûl. Though they also are the enemy, their score differs from the Uruk-hai’s. RELATED: Howard Shore in Talks to Score 'Lord of the Rings' TV Show, Instantly Making it 10 Times More Epicįor A Knife in the Dark and Flight to the Ford, the Nazgûl are described by a somber and harrowing theme with the use of a strong chant and brass. Frodo and it’s worth fighting for," the score reinforces the sentiment of hope as it reminds the viewer of the Shire. Just as he says, " There is some good in this world Mr. At the end of The Two Towers, Sam’s monologue ‘’Even darkness must pass’’ is accompanied by a nostalgic, melancholic and slow reprisal of Concerning Hobbits. It is repeated in situations where the darkness seem closer than ever. This leitmotif is extremely important in the trilogy. By doing so, he composed the famous folkloric, peaceful and bubbly theme we all know. In order to create the motif that will represent the charming and warm hobbits, Shore used instruments such as the mandolin, the Celtic harp and the tin whistle. When we first hear it, we are brought into the green and idyllic lands of the Shire. One of the most recurrent themes of the trilogy is Concerning Hobbits. The music had to explain this world to people who didn’t know Tolkien’s work, and it also had to satiate the appetite of Middle-Earth’s fans. Indeed, he had the difficult task to recreate the same elaborate story Tolkien had started telling some 86 years before. Shore’s mission with this soundtrack was to inform people.
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